YouTube: my channel arrest for “intentions”?!

Brussels 23.09.2026 Today I received an answer from YouTube support which remained vague. The relation between my announcement of death of the boss of the “criminal organisation”*, and the accusations of the Community Rules violations are not established. All the other announcements of the same event stayd on display on YouTube. The event was reported globaly considered of pulibc importance.
YouTube answer: “We understand your concerns regarding the recent policy action taken on your video, especially given your long-standing career in international journalism and the presence of similar reporting across major news outlets.

Content intended to praise, promote, or aid violent extremist or criminal organizations is not allowed on YouTube. These organizations are not allowed to use YouTube for any purpose, including recruitment. In some cases, we may make exceptions for content with educational, documentary, scientific or artistic context, including content that is in the public’s interest.

We may terminate your channel or account for repeated violations of the Community Guidelines or Terms of Service. We may also terminate your channel or account after a single case of severe abuse, or when the channel is dedicated to a policy violation. We may prevent repeat offenders from taking policy trainings in the future. Learn more about channel or account terminations.

I understand your frustration, but please know that we have thoroughly investigated your request and, I’m afraid there is nothing more I can add at this stage. ”

My answer today:
“Thank you for your answer.
However it doesn’t contain specific information about the grounds of the measure taken against me.
You write: ““Content intended to praise, promote, or aid violent extremist or criminal organizations is not allowed on YouTube”, pointing to three unacceptable intentions:

Intention to praise criminal organizations
Intention to promote criminal organizations
Intention to aid criminal organizations

Which of them did you apply to my video?
Taking into consideration the gravity of the stigma YouTube cast on me as a journalist, these accusations can not be taken lightly.

YouTube CEO Neal Mohan has already made a number of public promises to improve the system, and I count on his promises.
So far I haven’t received any explanation how the rule you have quoted correlates with the information I had released on the death of the boss of the criminal organisation on August 23, 2023 three years ago.

It was reported on a global scale, and all the other announcements of the same event are left on YouTube display unhindered. I have already sent you a list of the TV channels presented on your platform with exactly the same information.”

Please find the information in my preiouvs posts.
Those who would like to stand for freedom of speech, can sing a petition below:
https://www.change.org/p/stop-neal-mohan-from-being-ceo-of-youtube?source_location=topics_page

Общая ситуация со свободой слова в Европе – описание здесь:

Degas: Ukrainian dances from Little Russia

Anna Van DENSKY OPINION 08.05.2022 The National Gallery in London has changed the title of Edgar Degas’s drawing “Russian Dancers” (1899) to “Ukrainian Dancers” after a number of claims by Ukrainians on social media in a sympathetic but totally obscurantist gesture.

In times of the creation of the Degas masterpieces there was no Ukrainian identity, ethnicity or language. The very term “Ukraine” descended from “Ocraine” which means Rimland in Russian. The territories of the modern state of Ukraine were an integral part of the Russian Empire, and those who lived there called themselves “Maloross”, or Little Russians.
Logically, being strictly scientific and correct, the Degas’ ouvre should be named “Maloross Dancers”.
The same way we do not name Romans “Italians”, or Portuguese “Iberians”.

The pastel picture by the famed French Impressionist shows a troupe of young performers sporting hair ribbons in vivid blue and yellow, the national colours of modern Ukraine flag.

A spokesperson for the National Gallery told the Guardian, “The title of this painting has been an ongoing point of discussion for many years and is covered in scholarly literature; however there has been increased focus on it over the past month due to the current situation so therefore we felt it was an appropriate moment to update the painting’s title to better reflect the subject of the painting.”